Sub -Bass Vst Plugin: Price: Free: Sub is a bassline step sequencer. Oscillator with fine and phase setup. Visual ADSR Amp. 5 types of Cutoff filter. 16 Steps Step Sequencer fully controllable by MIDI events with adjustment for 2 octaves each note from each step + Sync with Host + 8 Types of Speed setup. 2 bands EQ. Aug 15, 2014 Use Sub Destroyer to program powerful and explosive low-end. Add to existing bass, replace the low end in a bass guitar performance for perfect pitch, or generate low-end bass drops with extended harmonic range that is more apparent in the mix. Sub Destroyer can also be used to create EDM and Dubstep sounds. May 16, 2018 Sub Destroyer can also be used to create EDM and Dubstep sounds. This is a virtual instrument with built in audio processing. Sub Destroyer is on sale for only £29 GBP until May 25th, 2018. It is available for Windows and Mac (VST/AU/RTAS/AAX). More information: JST Sub Destroyer. Audio plugins,Free plugins for Logic Pro X,Free music software,free audio app and free plug-in downloads,free VST/AU plugins for your PC or Mac,32/64-bit, Freeware.
bx_subsynth is the Holy Grail for Bass Fanatics!
Integrating a mix of classic and modern processing, this 10-ton beast gives music tracks, cinematic special FX and DJs’ sound systems a bottom end that goes all the way to the Earth’s core!
In developing bx_subsynth, Brainworx initially made a meticulous model of the legendary dbx 120XP Subharmonic Synthesizer’s Waveform Modeling™ engine, which generates discrete bass frequencies one octave below what you feed in to it. They then supersized the 120XP’s feature set to create much tighter, clearer, bigger and resonant bass.
For starters, bx_subsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two—the addition of a higher bass band for re-synthesis lets you capture and nosedive the fundamental frequencies of a much wider variety of instruments, including snare drum and acoustic guitar.
In developing bx_subsynth, Brainworx initially made a meticulous model of the legendary dbx 120XP Subharmonic Synthesizer’s Waveform Modeling™ engine, which generates discrete bass frequencies one octave below what you feed in to it. They then supersized the 120XP’s feature set to create much tighter, clearer, bigger and resonant bass.
For starters, bx_subsynth generates subharmonics in up to three discrete frequency bands versus the 120XP’s two—the addition of a higher bass band for re-synthesis lets you capture and nosedive the fundamental frequencies of a much wider variety of instruments, including snare drum and acoustic guitar.
The Tight Punch control creates crystal-clear, body-thumping bass by adding a resonant sub-bass peak and filtering out unwanted lows below its cutoff frequency. Powerful Edge processing lets you select from two modes of operation—Smooth and Harsh—that compress and saturate your tracks, alternately delivering super-compact or explosively trashy drums and throbbing, in-your-face bass guitar.
Let’s Be Clear
Bass EQ can’t do what bx_subsynth does. The discrete frequencies bx_subsynth generates leave more space across the bass-frequency band for other instruments, letting you jack up subsynth’s bass without muddying your mix. Plus, EQs can’t boost bass in a thin track that doesn’t have any bottom to begin with. bx_subsynth doesn’t just boost—it adds new bottom! And whereas psychoacoustic bass processors trick your brain into hearing phantom subharmonics that don’t actually exist—and which you can’t feel—bx_subsynth adds real sub-bass that will shake your body like an earthquake!
The applications are limitless. Retune your drum tracks: Dial in higher subharmonics for rack toms and lower ones for the floor tom for colossal, pounding drum fills. Boost different subharmonics on a kick drum and bass guitar to separate their sounds in the mix, for increased clarity and punch. Add subterranean thunder to sustained left-hand octaves on piano tracks. Automatically generate a perfectly synchronized bassline from the bottom strings played on an arpeggiated acoustic guitar track; two knob twists are all it takes to focus the bassline’s image dead-center and massively widen the guitar’s stereo image up to 400%.
Remastering engineers can use bx_subsynth to add a fat bottom end to thin vinyl masters and old recordings made on narrow-gauge multitrack tape recorders. Sound designers can pump up weak cinematic FX with terrifying lows. DJs can turbocharge their sound systems’ low end to woofer-shattering extremes. This is bottom end you can feel in your rattling bones.
bx_subsynth. Feel the bass.
Activate the fully functional 14-day demo with your Plugin Alliance account today to hear for yourself (no dongle required)!
Legal Disclaimer: dbx 120XP and Waveform Modeled Synthesis are registered trademarks of Harman International. The bx_subsynth was developed by Brainworx based on its own modeling techniques. dbx, Harman, nor any of their affiliate companies have endorsed or sponsored the bx_subsynth in any manner, nor licensed any intellectual property for use in this product.
Bass EQ can’t do what bx_subsynth does. The discrete frequencies bx_subsynth generates leave more space across the bass-frequency band for other instruments, letting you jack up subsynth’s bass without muddying your mix. Plus, EQs can’t boost bass in a thin track that doesn’t have any bottom to begin with. bx_subsynth doesn’t just boost—it adds new bottom! And whereas psychoacoustic bass processors trick your brain into hearing phantom subharmonics that don’t actually exist—and which you can’t feel—bx_subsynth adds real sub-bass that will shake your body like an earthquake!
The applications are limitless. Retune your drum tracks: Dial in higher subharmonics for rack toms and lower ones for the floor tom for colossal, pounding drum fills. Boost different subharmonics on a kick drum and bass guitar to separate their sounds in the mix, for increased clarity and punch. Add subterranean thunder to sustained left-hand octaves on piano tracks. Automatically generate a perfectly synchronized bassline from the bottom strings played on an arpeggiated acoustic guitar track; two knob twists are all it takes to focus the bassline’s image dead-center and massively widen the guitar’s stereo image up to 400%.
Remastering engineers can use bx_subsynth to add a fat bottom end to thin vinyl masters and old recordings made on narrow-gauge multitrack tape recorders. Sound designers can pump up weak cinematic FX with terrifying lows. DJs can turbocharge their sound systems’ low end to woofer-shattering extremes. This is bottom end you can feel in your rattling bones.
bx_subsynth. Feel the bass.
Activate the fully functional 14-day demo with your Plugin Alliance account today to hear for yourself (no dongle required)!
Legal Disclaimer: dbx 120XP and Waveform Modeled Synthesis are registered trademarks of Harman International. The bx_subsynth was developed by Brainworx based on its own modeling techniques. dbx, Harman, nor any of their affiliate companies have endorsed or sponsored the bx_subsynth in any manner, nor licensed any intellectual property for use in this product.
Are you looking for a cost effective and reliable virtual synthesizer? If so, then SubBoomBass is the tool of choice. This is a great application for singers of all genres and can be integrated with most devices.
The interface of the application is quite futuristic and has various buttons for creating and integrating bass sounds into your songs. All created bass can be tested right in that interface. Moreover, SubBoomBass has unique bass samples that can help you get a head start. There is a wave sequence that can be very helpful to most musicians.
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Sub Destroyer Vst Download Mac
In terms of size, SubBoomBass is very small. Not a lot of resources and computer space is required to run it. SubBoomBass can save your new bass in MIDI files which can be exported to other applications.